![]() ![]() When a sinister man tries to bribe her to lose a fight intentionally, she refuses. We meet our protagonist, an edgy woman with a dark past involving sexual assault at the hands of scummy men. That’s not important, what’s important is the badass slo-mo fight the beasts engage in. It revolves around a monster battle, like Pokémon, with the monsters’ owners controlling them through psychic links or something. It has grim and brutal cyberpunk feel to its atmosphere. Sonnie’s Edge is basically Pokémon but edgy. Read carefully, spoilers ahead! LDR season 1 features 18 short films. So without any further ado, let’s jump into each short’s ending and explain what they entail. And some of the shorts contain all three of them. As the title suggests, the show contends with three main things - love, death, and robots. Most of the shorts involve robots and some futuristic and apocalyptic setting. The photorealistic animation is one of the greatest suits of the show. Some of the CGI in the series is nothing short of ground-breaking in terms of what we’ve seen in shows. The genres range from fantasy to sci-fi, horror, and comedy. There’s emotion and thought put into each of these visually striking episodes. But it also delivers on some existential food for thought stories. There’s gratuitous violence, nudity, and profanity. ![]() Each short contains a distinct style of animation, with some awe-inspiring special effects to boot. And season 1 of the Netflix series also delivered on the promise. With names like David Fincher and Tim Miller attached to the project, it appeared very promising. It is an anthology series of different sci-fi short films that range from goofs to existentialism. Love, Death and Robots is one of the best properties of Netflix. ![]()
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